Plotting with Strangers

Dear Reader,

In March, I wrote the first 14 chapters of The Rebel’s Hero. Within this first week of April I’ve discovered a problem: I don’t know why my characters are doing what they are doing. Now, don’t get me wrong, I know their motivations better than when I wrote Catching the Rose, so much so that I was able to write the first 14 chapters without a problem.

Still, after reading the first two books of Brandon Sanderson’s Mistborn trilogy, and absolutely loving (as always) his well-developed subplots, twists, and surprises, I looked at my manuscript and sighed. I have work to do.

In a fit of creativity during my lunch break at work on Monday I sketched out a table on a scrap sheet of paper with the column headings: Character, Initial Goal, Roadblock, Recovery, 2nd Roadblock, 2nd Recovery, 3rd Roadblock. The rows of this table are the main characters, whose goals, roadblocks, and recoveries complement and clash.

When I came to one of the supporting characters, I realized I had no idea why he had his initial goal in the first place. To get outside my head, I posted a question on Facebook and got so many wonderful answers and theories that I feel totally inspired.

If you missed out on the conversation, that’s ok. I have a new question for you.

Why do YOU think someone would risk their life to free a slave?

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This post is part of the ROW80 bloghop.